field recording

sound design

experimental music

sound art

field recording

sound design

experimental music

sound art

field recording

sound design

experimental music

sound art

field recording

sound design

experimental music

sound art

field recording

sound design

experimental music

sound art

field recording

sound design

experimental music

sound art

field recording

sound design

experimental music

sound art

field recording

sound design

experimental music

sound art

field recording

sound design

experimental music

sound art

field recording

sound design

experimental music

sound art

field recording

sound design

experimental music

sound art

field recording

sound design

experimental music

sound art

Festiwal Słuchowisk 2026 / Radio Play Festival 2026

On October 10 at 8:00 p.m. at Kołorking Muzyczny / Dom Słuchowisk in Poznań, the Golden, Silver, and Pink Ear awards were presented for the best radio play of 2025.

I had the honor of serving on the jury alongside Anna Wieczur and Anna Cieślak. Out of the 23 submissions received, we decided to award the following radio plays:

  • First Place: A Premeditated Crime by Witold Gombrowicz, adapted and directed by Oskar Winiarski, produced by the A. Zelwerowicz Theater Academy in Warsaw
  • Second Place: The Female Workers, written and directed by Oliwia Kot
  • Third place: What is a bubble?, written and directed by Alicja Rasztawicka

Honorable mentions:

  • ONCE UPON A TIME… IN ŁÓDŹ, written and directed by Krzysztof Tubilewicz, produced by Radio 357
  • MY LADY’S STAR FELL, screenplay: Iwona Rusek, directed by: Dariusz Błaszczyk, producer: Polish Radio Program 2
  • A PIECE FOR TRANSFERRED PIANO, screenplay and direction: Joanna Wabik

I wrote the following justification for honoring Joanna Wabik’s work:

“If a radio play is a form of art, and art is a way of life in which freedom is realized, then Joanna Wabik’s work is a complete and total radio play. In a completely free and unforced way, musical form, a story about the form and creation of the work, narration, ambient sounds—including those that are crude and unseemly—naturalistic voyeurism, and artistic refinement all intertwine here. It is also a story about the costs of creating the work and the complexity of the creative process, which often defies the logic of everyday life. At the same time, it is a work that is not difficult to appreciate, though its form is unconventional.

“I wasn’t looking for this radio play—it found me—and I’m grateful for that.”